Perrey & Kingsley - Spotlight On The Moog - Kaleidoscopic Vibrations FLAC

Perrey and Kingsley Musique Concrète Pop Rock Easy Listening Space-Age Synth-pop Experimental 1971 US

Tracklist Hide Credits

A1	The Savers Written-By – Kingsley, Perrey	1:43
A2	Umbrellas Of Cherbourg Written-By – Michel Le Grand*	2:42
A3	Strangers In The Night Written-By – B. Kaempfert, C. Singleton, E. Snyder*	2:56
A4	One Note Samba - Spanish Flea Written-By – A. Jobim, J. Hendricks, N. Mendonca*	2:03
A5	Lover's Concerto Written-By – D. Randel, S. Linzer	2:11
A6	Third Man Theme Written-By – Anton Karas	2:09
A7	Fallout Written-By – Kingsley, Perrey	1:54
B1	Baroque Hoedown Written-By – Kingsley, Perrey	2:24
B2	Winchester Cathedral Written-By – Geoff Stephens	2:14
B3	Carousel Of The Planets Written-By – Kingsley*	2:39
B4	Toy Balloons Written-By – Billy Mure	2:04
B5	Moon River Written-By – Henry Mancini, Johnny Mercer	2:38
B6	Mas Que Nada Written-By – Jorge Ben	2:19
B7	Pioneers Of The Stars Written-By – Andy Badale, Perrey*	2:46

Credits

Liner Notes – Elmer Jared Gordon
Producer – Seymour Solomon

Notes

Manufactured and distributed by RCA Limited, Record Division ℗ 1971

Printed in England by West Brothers - Printers Ltd.

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
VSD-79264	Perrey & Kingsley	Kaleidoscopic Vibrations ‎(LP, Album)	Vanguard	VSD-79264	US	1967
VSD-79264	Perrey & Kingsley	Kaleidoscopic Vibrations ‎(LP, Album)	Vanguard	VSD-79264	Australia	1967
VSD 6525	Perrey & Kingsley	Spotlight On The Moog - Kaleidoscopic Vibrations ‎(LP, Album, RE)	Vanguard	VSD 6525	US	1971
VSD-79264	Perrey & Kingsley	Kaleidoscopic Vibrations – Electronic Pop Music For The Future ‎(LP, Album)	Vanguard	VSD-79264	US	1967
VSD 6525	Perrey & Kingsley	Spotlight On The Moog - Kaleidoscopic Vibrations ‎(LP, Album, RE)	Vanguard	VSD 6525	Canada	1971

ALAN

The sound of the future, as imagined in the late 1960s. This is an album with a lot of retro appeal, but also real musical invention and plenty of humour. Many of the tracks are covers of 60s hits that already had a hint of classical ambition about them - "A Lover's Concerto", itself adapted from Bach, is transformed into proto-synthpop, "Moon River" becomes an eerie futuristic soundscape, and "Strangers In The Night" turns into an hilarious mass of goofy sound effects. Oh, and is that the sound of scratching, several years before DJ Kool Herc? You know, I rather think it is. Best of all are the utterly demented Perrey/Kingsley originals which open each side, "The Savers" could be (and someday probably will be) the theme to a madcap TV comedy show, while "Baroque Hoedown", later expanded into Disneyworld's famous "Main Street Electrical Parade", sees the electronic pioneers let rip with the most grin-inducing - and just plain daft - instrumental imaginable. If only the future really had been like this...