Voice Stealer - The All Electric House FLAC

Voice Stealer Electro 1997 UK

Tracklist

1	Unintensional	5:39
2	Memorandrum	6:28
3	Moebius	7:18
4	Electromotive Force	7:39
5	Motorola	6:31
6	Electronic Eyes	4:18
7	Eventuality	6:59
8	Ordeal X	6:40
9	Evaluation	4:19

Companies, etc.

Licensed From – AGI, USA
Manufactured By – MPO
Manufactured By – Van De Steeg
Distributed By – Neuton
Distributed By – Vital
Phonographic Copyright (p) – Subvert
Copyright (c) – Subvert
Copyright (c) – Copyright Control
Recorded At – The Farm, Leeds
Produced At – The Farm, Leeds
Mastered At – Dubplates & Mastering
Designed At – Ratio, Bristol

Credits

Written-By, Producer, Recorded By – Carl A. Finlow

Notes

'the all-electric house is the ideal home of your dreams:
everything is spotless and all the domestic work is performed at the touch of a switch.'

the all-electric house written, produced and recorded at the farm, leeds. copyright control.
℗ 1997 subvert © 1997 subvert. mastered at dubplates & mastering, berlin. made in the e.u.
distribution: germany / international - neuton. uk - vital
all electric type assembled at ratio.

it's safe because it's electric

Packaged in a Digipak

Barcode and Other Identifiers

Barcode: 6 13878 23001 3
Mastering SID Code: IFPI L036
Mould SID Code: IFPI 1205
Matrix / Runout: VERTCD 01 MPO 01 @@@@ 9 02
Other (CD tray): DIGIPAK® Manufactured by Van de Steeg, Holland, under license from AGI, USA

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
vertlp01	Voice Stealer	The All Electric House ‎(2xLP, Album)	Subvert	vertlp01	UK	1997
none	Voice Stealer	The All Electric House ‎(9xFile, ALAC, Album, RE)	Subvert	none	2011

Kezan

I have to agree with the review by restless. This album is a classic of British 1990s electro. I've spoken to many electro producers over the years and almost all of them cite this record as a huge influence. The synth programming alone displays a mastery of sound design that put Finlow way beyond his peers at the time and had a direct influence on the work of Two Lone Swordsmen, Mariel Ito, Volsoc, Bitstream and many others that were to follow. Despite its technical accomplishment it's an album full of human emotions, real melodies and tweaked, analogue, machine funk. Sometimes you have to listen a few times to really get where it's coming from, but once you start to understand the strange, robotic yearning of Unintensional, or the raw, war-like stomp of Electromotive Force, it becomes a highly rewarding listening experience. I actually didn't like much of the album on first listen, but years later it's now a favourite of mine and almost never leaves my record bag.

Flathan

Hmm, I'm not terribly impressed with this release. Finlow has done a number of other tracks that blow me away, so I actively seek out his material. And here I am, with All Electric House.The electro is decent, but not great. It just doesn't go the distance for me. No high-rising melodies like Rother. No cheesy fun stuff like Komputer. Call these tracks cold, serious electro. Complex & intricate, yes; engaging, no. It could just be me, though, as I'm not really big on electro usually anyhow.But -- the reason for this comment -- the last track (Evaluation) jumps out as a superb, sublime piece of electro-downtempo. Super crisp and smooth; full of emotion and atmosphere. A kompakty bass synth hammers out the measures. The simple electro hat/snare keep the beat. A popcorn plink piques the interest. A single synth note buzzes around your head. A pleasant, but entirely unnecessary, rambling melody fills the later half. Short & sweet!

Zetadda

If you like your electro emotional, 'Unitensional' is the one for you. There is something incredibly moving about this fragile and menacing moment with rampant, unstable bassline and weird little machine noises gaggling around electronic voices decomposing. A sick tune (in the primary sense), and one of my all-time Top10.(And the rest of the album is unique too - a must buy for sure)