"If I can be serious for a moment..."After two albums consisting mostly of covers, Fozzy masterminds Rich Ward and Chris Jericho decided that for the band to continue and prosper, it was time to drop the comedy gimmicks and become a real band. Gone were the stage names, the wacky costumes, pig mascots (Arthur was actually a human being suffering from Swinus) and the "we were stuck in Japan for 20 years" shenanigans, and with 'All That Remains', a fresh and invigorated band arose. Featuring ten original compositions (two of which are re-recorded tracks from Rich Wards Sick Speed project), Fozzy's sound is simple, hard rocking anthems. Nothing overly ambitious or challenging, but catchy radio rock that get heads banging. Sadly, having WWE superstar Chris Jericho as frontman meant that Fozzy were still a novelty act (though it's likely they'd never have had the success they've had without such novelty in the first place) which, coupled with the bands unusual choice of name, meant that they were a band people still refused to take seriously.Their loss.With tracks such as 'Nameless Faceless', 'The Test', 'It's a Lie' and one of the groups most memorable hits, 'Enemy', this album showed that, despite everything they have going against them, Fozzy is a band not to be taken lightly. Guest appearances by heavy hitters such as Marty Friedman and Zakk Wylde give 'All That Remains' some much-needed credibility, and with an energetic live show and a relentless touring schedule that saw them hit the Download Festival the year of this records release, it's a sure sign that while 'All That Remains' will never be Fozzy's best album, it's definitely an early sign of greatness that firmly establishes them as the real deal.