First up is swiss maestro Deetron, with an epic ten minute take that blends his trademark strong percussion with smooth pads and subtle builds. Backed by a punchy mid-range kicker with vague hints of female harmonising, strong progression keeps the track extremely cohesive, enveloping you in melody as it slowly adds elements such as tight string plucks, shuffling high hats and swirling white noise builds. No real "peak time" element to this one though, it focusses solidly on mood rather than energy, and achieves much with seemingly little. It's Deetron's careful layering that creates this. On the B Side, the UK's Mark Broom takes it a little more upbeat, though keeping the progressive, moody feel. In comparison to Deetron's lengthy story, this feels positively rushed, though no less impressive, with some similarly subtle builds, but a far better usage of the sinister, whispered vocals from Abril's original, popping in and out of the mix throughout the duration of the song and creating something arguably more interesting than the A Side. Finally comes Itamar Sagi's remix. Sagi's version takes a very different tack to the other two, going for a more housey feel with his percussion, and overlaying sharp, catchy synth stabs, creating a great sense of urgency. However, what this gains in approach it loses in execution. It lacks the beautiful melodies heard elsewhere on the release, and doesn't have the same sense of effort behind it, though it's still a commendable piece of work.