Tracklist Hide Credits

Act I - Moods Of The American Negro
A1.1	Introduction
A1.2	Darlin' Cora Bongos, Congas – Danny BarrajanosGuitar – Millard Thomas, Raphael BoguslavWritten-By – Fred Brooks
A2	Sylvie Written-By – Huddie Ledbetter, Paul Campbell
A3	Cotton Fields Bass – Norm Keenan*Written-By – C. C. Carter*
A4	John Henry Written-By – Paul Campbell
A5	Take My Mother Home Written-By – Hall Johnson
B1	The Marching Saints Bass – Norm Keenan*Written-By – C. C. Carter*
Act II - In The Caribbean
B2	Day O Written-By – Belafonte*, Burgess*, Attaway*
B3	Jamaica Farewell Written-By – Lord Burgess*
B4	Man Piaba Written-By – Harry Belafonte, Jack K. Rollins*
B5	All My Trials Written-By – C. C. Carter*, Rita Greene
C1	Mama Look A Boo Boo Written-By – Lord Melody
C2	Come Back Liza Written-By – Lord Burgess*, Bill Attaway*
C3	Man Smart (Woman Smarter) Written-By – Harry Belafonte, Jack Segal
Act III - Round The World
C4	Hava Nageela
C5	Danny Boy Written-By – Fred E. Weatherly
C6	Merci Bon Dieu (From The "Haitian Suite") Written-By – Frantz Casseus
D1	Cu Cu Ru Cu Cu Paloma Written-By – Tomas Mendez
D2	Shenandoah
D3	Matilda Vocals [Solo] – Danny BarrajanosWritten-By – Harry Thomas

Companies, etc.

• Copyright (c) – Radio Corporation Of America
• Pressed By – RCA Records Pressing Plant, Indianapolis

Credits

• Bass – Norman Keenan
• Bongos, Congas – Danny Barrajanos
• Conductor [Orchestra] – Robert Corman*
• Engineer [Recording] – Bob Simpson
• Guitar – Millard Thomas, Raphael Boguslav
• Photography By – Lee Friedlander
• Producer, Liner Notes [Recording Notes] – Bob Bollard

Notes

Later pressing with several label differences: smaller "STEREO" instead of "LIVING STEREO," TMK(S) instead of Trade Marks, and lacking CAMDEN, N. J. Label style indicates 1960s pressing.

Laminated cover.

Noted inside gatefold:
"*Benefit Performances for The New Lincoln School, April 19, 1959; Wiltwyck Scholl, April 20, 1959."
"Recorded at Carnegie Hall, April 19 and 20, 1959. Recording Engineer: Bob Simpson."

Liner notes indicate that tracks selected for LP were chosen equally from both performances.
LP is auto-coupled.

Barcode and Other Identifiers

• Matrix / Runout (Label, side A): K2PY-2689
• Matrix / Runout (Label, side B): K2PY-2690
• Matrix / Runout (Label, side C): K2PY-2691
• Matrix / Runout (Label, side D): K2PY-2692
• Matrix / Runout (Runout, side A / stamped): K2PY2689-23S I C1
• Matrix / Runout (Runout, side B / stamped): K2 PY2690-5S I B1
• Matrix / Runout (Runout, side C / stamped): K2 PY2691-21S I B3
• Matrix / Runout (Runout, side D / stamped): K2PY2692-17S I B2

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
LSO 6006	Harry Belafonte	Belafonte At Carnegie Hall: The Complete Concert ‎(2xLP, Album, Roc)	RCA Victor	LSO 6006	US	1959
LSO-6006, LSO 6006	Belafonte*	Belafonte At Carnegie Hall: The Complete Concert ‎(2xLP, Album, RE)	RCA Victor, RCA Victor	LSO-6006, LSO 6006	US	1971
6006-2-R	Harry Belafonte	Belafonte At Carnegie Hall ‎(CD, Album, RM)	RCA	6006-2-R	Canada	Unknown
APF-6006, LSO 6006	Harry Belafonte	Belafonte At Carnegie Hall: The Complete Concert ‎(2xLP, RM, Gat)	Analogue Productions, RCA Victor	APF-6006, LSO 6006	US	2014
LOC 6006 1/2	Harry Belafonte	Belafonte At Carnegie Hall: The Complete Concert ‎(2xLP, Album, Mono, Gat)	RCA Victor	LOC 6006 1/2	Germany	1959

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