O Yuki Conjugate - Peyote FLAC

O Yuki Conjugate Tribal Experimental Ambient 1991 Sweden

Tracklist Hide Credits

1	Snake Charm Keyboards – John KaukisPercussion – Dave Collins Tabla – Maneesh ChandraVocals – Chris Lucas	5:56
2	A Darker Belief Percussion, Berimbau – Dave Collins	5:04
3	Earth Loop (Fragment) Keyboards – John KaukisPercussion – Dave Collins	3:42
4	Long Pig Percussion, Vocals [Chant] – Kenneth F. YatesPercussion, Vocals [Nose-singing, Chant] – Dave Collins	7:14
5	Alia Ma Keyboards – John Kaukis	7:05
6	Dusk, Dead Heart	4:59
7	Still Breath Keyboards – Kenneth F. YatesVocals – Chris Lucas	5:20
8	Tidal Dance Tabla – Maneesh Chandra	4:24

Companies, etc.

Licensed From – Multimood Records
Published By – Multiplex Music

Credits

Artwork By [Topography] – Hans Falberg
Design – A. Harrison
Engineer – Joe King
Performer – A. Hulme*, C. Elliott*, R. Horberry*, T. Horberry*
Photography – Andrew Hulme
Photography By – A. Hulme*
Written-By – O Yuki Conjugate

Notes

Recorded and digitally mastered at Frontier,
Nottingham, August 1988 ~ February 1990.

Packaged in a grey-tray jewel case, with an illustrated 6-page folded insert that includes credits and release information.

Originally released on CD by Multimood earlier in the year.
Also released on Cassette by Projekt.
Repressed in December 2005.

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
MRC·011, MRC 011	O Yuki Conjugate	Peyote ‎(CD, Album)	Multimood Records, Multimood Records	MRC·011, MRC 011	Sweden	1991
PRO33	O Yuki Conjugate	Peyote ‎(Cass, Album, C44)	Projekt	PRO33	US	1991
MRC·011, MRC 011	O Yuki Conjugate	Peyote ‎(CD, Album, RE)	Multimood Records, Multimood Records	MRC·011, MRC 011	Europe	Unknown
PRO 33	O Yuki Conjugate	Peyote ‎(CD, Album, RE, RP)	Projekt	PRO 33	US	Unknown

TheFresh

The 1986 release of SPK’s Zamia Lehmanni - Songs Of Byzantine Flowers led to years of immitators, picking up on the tropes of industrial noise loops combined with sacred and profane sounds drowning in mirky oceans of reverb. A far departure from Brian Eno’s ambient austery and modal fascinations, this was an approach to ambience that carried within it industrial music’s obsessions with prurient decay and surrealist mockery of western capitalist values. And just like the European surrealists with their colonialist fantasies, so too a certain cohort of ambient industrialists would assume the tropes of non-western instrumentation and tuning. Perhaps the most accomplished of the latter were O Yuki Conjugate from Nottingham. Here is the band’s third release and the beginnings of their detour through ethno-new age. Released in 1991, the album served as a refuge for goth dissidents at the time.