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» » Ken Ishii - Flatspin
Ken Ishii - Flatspin FLAC

Singer:

Ken Ishii

Album:

Flatspin

Genre:

Electronic style

FLAC album size:

1225 mb

MP3 album size:

1643 mb

WMA album size:

1352 mb

Other music formats:

MMF AUD DMF APE DXD AA XM

Rating:

4.3 ✱

Style:

Techno

Country:

Hong Kong

Date of release:

2001

Ken Ishii - Flatspin FLAC


Ken Ishii - Flatspin FLAC

Tracklist Hide Credits

A1 Infrangible
A2 Flatspinning Loop 1
A3 Moonquake
B1 Air Shriek
B2 Gap Accelerator
B3 Flatspinning Loop 2
B4 Drums In Friction
C1 Slapdash (Album Cut)
C2 Flatspinning Loop 3
C3 Grab It Attack It
D1 Iceblink (Vocal Mix)
Featuring – Inner City
D2 Mirage
D3 Frozen Reminiscence
D4 Iceblink (Main Mix: Album Cut)

Companies, etc.

  • Phonographic Copyright (p) – Exceptional Records Ltd.
  • Copyright (c) – Exceptional Records Ltd.

Notes

℗2001 Exceptional Records Ltd.
©2001 Exceptional Records Ltd.
Made in England

Other versions

Category Artist Title (Format) Label Category Country Year
499913.2 Ken Ishii Flatspin ‎(CD) SMEJ Associated Records 499913.2 Hong Kong 2000
SRCL 4900 Ken Ishii Flatspin ‎(CD, Album) Sony Records SRCL 4900 Japan 2000
EXLPCD0103 Ken Ishii Flatspin ‎(CD, Album) Exceptional EXLPCD0103 UK 2001



Hurus
Another LP of enchanting, slightly chilled techno, Flatspin channels the melodic spirits of Derrick May and Yellow Magic Orchestra. Beginning with the single "Iceblink," Ken Ishii throws the distinctly Asian sound of YMO-styled synth pop over driving techno, with plenty of changes to keep at-home listeners happy as well. "Grab It Attack It" and "Gap Accelerator" are future-shocked electro-techno with a parade of great ideas, akin to fellow techno veteran Luke Slater's experiments with electro on 1999's Wireless. As on Sleeping Madness, Ishii still sounds a bit restless, toying with tribal-techno (on "Drums in Friction") and downtempo ("Mirage"), and also working in a couple of experimental vignettes (the trio of "Flatspinning Loop" interludes). He's still an excellent producer, to be counted on to deliver at least one anthem per album (here, it's definitely "Iceblink") plus an assortment of intriguing genre exercises. An added bonus is a mix of "Iceblink" with help from Detroit's finest, Kevin Saunderson's Inner City.

Review Ken Ishii - Flatspin


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