A band that constantly keep bouncing back with great albums now and then, Djam Karet are one of the longest-running original real jam rock bands. They were doing it long before the terms trip-rock or stoner were invented. This, their umpteenth album (I've lost count) again finds them in a more daring experimental mood, further cross-breeding their patent groovadelic, synthispace and weird factions into a new big creation that again "goes places that no space-rock band has gone before".The band has changed a bit in recent times. Three of the originals are still there: Gayle Ellett, Mike Henderson and Chuck Oken Jr., now with Aaron Kenyon on bass (known to us previously with the excellent Atavism of Twilight) and another guitarist, one Mike Murray. And this? Well, a new feat for Djam Karet, they'd done near-on 30 minute pieces before, but this is all one big piece, a work of many moods and diversions, a work that sizzles, trips, spaces-out, trips again, and then storms along, and... it revisits the Djam Karet of yore and fuses it with new ideas to develop further in the future - all flowing, riddled with solos and dazzling interplay.References? Well, mostly this is pure Djam Karet. I could quote some Pink Floyd touches, the usual Kosmische and Krautrock references, and the vague touches of 1970's jazz-fusion. Most other current comparisons would be those influenced by Djam Karet! Excellent from start to end. Need I say more? From my review in Audion #58, published in Autumn 2013