Tracklist

Dem Gerechten Muss Das Licht Immer Wieder Aufgehen, BWV 195 - Kantate Zur Trauung (1748/49, Frühfassung c. 1742, Gleichnamige Trauungskantate c. 1727-32)	(18:35)
1	1. [Chorus]. Dem Gerechten Muss Das Licht Immer Wieder Aufgehen …	4:37
2	2. Recitativo (Basso). Dem Freudenlicht Gerechter Frommen …	1:07
3	3. Aria (Basso). Rühmet Gottes Güt Und Treu …	4:50
4	4. Recitativo (Soprano). Wohlan, So Knüpfet Denn Ein Band …	1:08
5	5. Chorus. Wir Kommen, Deine Heiligkeit …	6:05
6	Post Copulationem - After The Wedding: 6. Choral. Nun Danket All Und Bringet Ehr …	0:43
Nun Danket Alle Gott, BWV 192 - Kantate, Bestimmung Unbekannt (1730-31?)	(10:49)
7	1. Chorus. Nun Danket Alle Gott …	4:53
8	2. [Duetto] (Soprano, Basso). Der Ewig Reiche Gott …	2:56
9	3. [Chorus]. Lob, Ehr Und Preis Sei Gott …	2:57
Ich Lasse Dich Nicht, Du Segnest Mich Denn, BWV 157 - Kantate Für Eine Trauerfeier (6. Februar 1727) Bzw. Zum Fest Mariae Reinigung	(19:29)
10	1. Duetto (Tenore, Basso). Ich Lasse Dich Nicht, Du Segnest Mich Denn!	4:48
11	2. Aria (Tenore). Ich Halte Meinen Jesum Fest …	6:44
12	3. Recitativo (Tenore). Mein Lieber Jesu Du …	1:20
13	4. Aria [E Recitativo E Arioso] (Basso). Ja, Ja, Ich Halte Jesum Fest …	5:48
14	5. Choral. Meinen Jesum Lass Ich Nicht …	0:46
Herr Gott, Beherrscher Aller Dinge, BWV 120a - Kantate Zur Trauung (c. 1729)	(30:09)
15	Prima Parte: 1. [Chorus]. Herr Gott, Beherrscher Aller Dinge …	6:18
16	Prima Parte: 2. Recitativo [E Chorus] (Basso, Tenore). Wie Wunderbar, O Gott …	2:56
17	Prima Parte: 3. Aria (Soprano). Leit, O Gott, Durch Deine Liebe …	6:08
18	Secunda Parte (Post Copulationem) 4. Sinfonia	3:33
19	Secunda Parte (Post Copulationem) 5. Recitativo [E Chorus] (Tenore). Herr Zebaoth …	1:20
20	Secunda Parte (Post Copulationem) 6. Aria (Duetto) (Alto, Tenore). Herr, Fange An Und Sprich Den Segen …	7:03
21	Secunda Parte (Post Copulationem) 7. Recitativo (Basso). Der Herr, Herr Unser Gott, Sei So Mit Euch …	1:25
22	Secunda Parte (Post Copulationem) 8. Choral. Lobe Den Herren, Der Deinen Stand Sichtbar Gesegnet …	1:18

Companies, etc.

• Phonographic Copyright (p) – BIS Records AB
• Copyright (c) – BIS Records AB
• Copyright (c) – Masaaki Suzuki
• Copyright (c) – Klaus Hofmann
• Copyright (c) – Marco Borggreve
• Copyright (c) – Ludék Sojka
• Recorded At – Kobe Shoin Women's University, Japan

Credits

• Alto Vocals [Choir] – Chiharu Takahashi, Damien Guillon, Sumihito Uesugi, Tamaki Suzuki
• Bass Vocals [Choir] – Chiyuki Urano, Peter Kooij, Toru Kaku, Yusuke Watanabe
• Bass Vocals [Soloist] – Peter Kooij
• Bassoon [Continuo] – Yukiko Murakami
• Composed By – Johann Sebastian Bach
• Countertenor Vocals [Soloist] – Damien Guillon
• Directed By, Liner Notes – Masaaki Suzuki
• Edited By – Nora Brandenburg
• Engineer – Marion Schwebel
• Executive-Producer – Robert von Bahr
• Flute [Flauto Traverso I], Soloist – Kiyomi Suga
• Flute [Flauto Traverso II] – Liliko Maeda
• Harpsichord [Cembalo, Continuo] – Masato Suzuki
• Liner Notes – Klaus Hofmann
• Liner Notes [English Translation - Program Notes], Layout, Typography [Typesetting] – Andrew Barnett
• Liner Notes [French Translation] – Jean-Pascal Vachon
• Liner Notes [German Translation] – Horst A. Scholz
• Oboe, Oboe d'Amore [I], Soloist – Masamitsu San'nomiya*
• Oboe, Oboe d'Amore [II] – Atsuko Ozaki
• Orchestra, Choir – Bach Collegium Japan
• Organ [Continuo] – Naoko Imai
• Photography By [Christoph Genz] – Nancy Horowitz
• Photography By [Hana Blažíková] – Ludék Sojka
• Photography By [Peter Kooij] – Marco Borggreve
• Producer, Mixed By – Ingo Petry
• Soprano Vocals [Choir] – Eri Sawae, Hana Blažíková, Yoshie Hida
• Soprano Vocals [Soloist] – Hana Blažíková
• Technician [Organ Tuner] – Matthieu Garnier (tracks: 18)
• Technician [Tuner] – Akimi Hayashi
• Tenor Vocals [Choir] – Christoph Genz, Hiroto Ishikawa , Yosuke Taniguchi, Yusuke Fujii
• Tenor Vocals [Soloist] – Christoph Genz
• Timpani – Shoichi Kubo
• Trumpet [Tromba I], Horn [Corno I] – Jean-François Madeuf
• Trumpet [Tromba II] – Philippe Genestier
• Trumpet [Tromba III], Horn [Corno II] – Graham Nicholson
• Viola – Hiroshi Narita , Mika Akiha
• Violin [I] – Azumi Takada, Paul Herrera, Yuko Takeshima
• Violin [I], Leader – Natsumi Wakamatsu
• Violin [II] – Azumi Takada, Yukie Yamaguchi, Yuko Araki
• Violin, Viola d'Amore, Soloist – Natsumi Wakamatsu
• Violoncello [Continuo] – Hidemi Suzuki
• Violone [Continuo] – Takashi Konno

Notes

Cantatas from Leipzig 1727-232.
℗ & © 2012 BIS Records AB, Akersberga
Recording: June 2011 at Kobe Shoin Women's University Chapel, Japan

Equipment: Neumann microphones; RME Octamic D microphone preamplifier and
high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation;
B&W Nautilus 802 loudspeakers; STAX headphones
Original format: 44.1 kHz / 24-bit

Total Time: 80'18

36-page digital booklet with notes in English, German and French, including the original sung text and the English translation.
Originally released on SACD in August 2012.
Photo Damien Guillon DR

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
BIS-SACD-1961	Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki	Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki - Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott) ‎(SACD, Hybrid, Multichannel)	BIS	BIS-SACD-1961	Europe	2012

Review Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki - Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott)

Related albums at Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki - Cantatas 51: ►120a ►157 ►192 ►195 (Nun Danket Alle Gott)