Shankar Jaikishan / Rais Khan - Raga-Jazz Style FLAC

Shankar Jaikishan Indian Classical Swing 2017 India

Tracklist

A1	Raga: Todi
A2	Raga: Bhairav
A3	Raga: Malkauns
A4	Raga: Kalavati
A5	Raga: Tilak Kamod
A6	Raga: Miyan Malhar
B1	Raga: Bairagi
B2	Raga: Jaijaiwanti
B3	Raga: Mishra Pilu
B4	Raga: Shivranjani
B5	Raga: Bhairavi

Companies, etc.

Lacquer Cut At – Dubplates & Mastering

Credits

Arranged By – Sebastian D'Souza
Bass – Eddie Travass
Drums – Leslie Godinho
Electric Guitar – Anibal Castro*, Dilip Naik
Flute – Suman*
Lacquer Cut By – Christoph Grote-Beverborg
Music By – Shankar Jaikishan*
Photography By [Front Cover Photo] – Dhiraj Chawda
Piano – Lucilla Pacheco
Saxophone – Manohari Singh
Sitar – Ustad Rais Khan*
Tabla – Ramakant
Trumpet – John Pereira

Notes

First Category on spine, 2nd on sleeve rear & 3rd on B-side label.

Issued in a heavy weight matt card sleeve (replica) & 180gm vinyl (replica labels).

On labels: Recording first published 1968

On sleeve rear:
Manufactured & Distributed by
The Gramophone Company Of India Limited
A member of the EMI Group of Companies
International leaders in music, electronics and leisure
DUM DUM • India

Contains "Outernational Sounds", "His Master's Voice" and classical "EMI" logos.

Back cover contains the description of the album, photo of Shankar Raghuvanshi & Jaikishan Panchal and a short description of each composition.

Side one:

Raga Todi: This morning melody depicts a serene emotion with a tinge of pathos in it.

Raga Bhairav: This early-morning raga conveys a mood of quiet dignity.

Raga Malkauns: This midnight melody, lively and vivacious in character, is immensely popular in India.

Raga Kalavati: This raga, usually expounded towards midnight, conveys a mood of extreme urge.

Raga Tilak Kamod: This early-night raga is known for its bright, colourful appeal.

Raga Miyan Malhar: This night melody, conventionally associated with the rainy season, unfolds a serious, profound mood.

Side two:

Raga Bairagi: This raga is expounded in the early hours of morning. The mood is one of quiet introspection.

Raga Jaijaiwanti: This night melody conveys a romantic mood.

Raga Mishra Pilu: Essentially romantic in appeal, this raga can also lend itself to a variety of moods. It is usually associated with the third quarter of day.

Raga Shivanjani: This early-night raga evokes an atmosphere of separation and sorrow.

Raga Bhairavi: This is a morning melody. But convention has it that it can be rendered as a concluding piece in a classical recital at any hour of day and night.

Track titles appears slightly different on labels and on a back cover. They are printed as Raga: ... on labels, Raga ... on the back cover and without word "Raga" at all. Also tracks A6 and B4 are titled as "Raga: Mianki-Malhar" and "Raga: Shiv-Ranjani" on LP-labels.

Barcode and Other Identifiers

Matrix / Runout (B-side label): 2YJW (S) 21
Matrix / Runout (A-side runout, etched): OUTERNATIONAL 001 A CGB@D&M -42428-
Matrix / Runout (B-side runout, etched): OUTERNATIONAL 001 B CGB@D&M -42428-

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ECSD-2377	Shankar Jaikishan* / Rais Khan	Shankar Jaikishan* / Rais Khan - Raga-Jazz Style ‎(LP, Album)	His Master's Voice	ECSD-2377	India	1968
CD NF1 50134	Shankar Jaikishan* / Rais Khan	Shankar Jaikishan* / Rais Khan - Raga-Jazz Style ‎(CD, Album)	EMI, The Gramophone Company Of India Ltd.	CD NF1 50134	India	1994
ECLP 2377	Shankar Jaikishan*, Rais Khan	Shankar Jaikishan*, Rais Khan - Raga Jazz Style ‎(LP)	His Master's Voice	ECLP 2377	India	1968
ECSD-2377	Shankar Jaikishan*	Raga-Jazz Style ‎(LP, Album)	His Master's Voice	ECSD-2377	India	1968
ECSD 2377, ECSD.3277	Shankar Jaikishan* / Rais Khan	Shankar Jaikishan* / Rais Khan - Raga - Jazz Style ‎(LP, Album)	His Master's Voice, His Master's Voice	ECSD 2377, ECSD.3277	India	1968