Escort - Escort FLAC

Escort Funk Disco 2011 UK

Tracklist

1	Caméleon Chameleon	5:26
2	Cocaine Blues	4:07
3	Makeover	4:09
4	A Sailboat In The Moonlight	4:18
5	Why Oh Why	3:54
6	Starlight	4:36
7	A Bright New Life	5:53
8	All Through The Night	4:18
9	Love In Indigo	3:41
10	All That She Is	4:42
11	Karawane	7:37

Companies, etc.

Copyright (c) – Escort Records
Published By – Sweet Sensation
Published By – Blue Mountain Music Ltd.
Published By – Bughouse Music
Mastered At – Salt Mastering

Credits

Arranged By – D. Balis* (tracks: 2), E. Cho* (tracks: 2, 4), M. Tewarson* (tracks: 2)
Arranged By [Horn] – J. Natchez* (tracks: 4, 7)
Arranged By [Vocal] – K. Bruce* (tracks: 5)
Backing Vocals – Adeline Michele (tracks: 1), Gregory Clark (tracks: 2), Joy Dragland (tracks: 4), Karlie Bruce (tracks: 1, 2, 4)
Backing Vocals, Trombone – Elizabeth Dotson-Westphalen (tracks: 2, 4, 7)
Baritone Saxophone, Alto Saxophone, Flute – Jon Natchez (tracks: 1, 2, 4, 7)
Bass, Percussion – Darius Maghen (tracks: 4, 6 to 9, 11)
Cello – Brian Snow (tracks: 1, 2)
Drums, Percussion – Ben Herson* (tracks: 1, 2, 4 to 11)
Engineer – D. Balis*, E. Cho*
Guitar – Gene Park (tracks: 9)
Guitar, Bass – Mark Tewarson (tracks: 1, 2, 4, 5, 7, 10)
Guitar, Keyboards, Vocals, Percussion, Bass – Dan Balis (tracks: 1 to 3, 5 to 11)
Keyboards, Vocals, Drums, Percussion, Bass – Eugene Cho (tracks: 1 to 3, 5 to 11)
Lead Vocals – Adeline Michele (tracks: 3 to 9), Joy Dragland (tracks: 1, 2)
Mastered By – Paul Gold
Mixed By – E. Cho*
Percussion – Chauncey Yearwood (tracks: 1, 4, 5, 7 to 11), Dave Sharma (tracks: 11), Ernesto Abreu* (tracks: 6 to 9)
Photography By – Lenny Tso
Producer – D. Balis* (tracks: 1 to 3, 5 to 8, 10, 11), E. Cho*
Recorded By – D. Balis*, E. Cho*
Recorded By, Engineer [Additional] – B. Herson* (tracks: 6, 10), D. Sharma* (tracks: 11)
Tenor Saxophone – Tony Barba (tracks: 1, 2, 4)
Trombone – Ryan Keberle (tracks: 1, 2, 4)
Trumpet – Kelly Pratt (tracks: 7), Nathan Warner (tracks: 1), Shane Endsley (tracks: 1, 2, 4)
Violin – Sarah Bernstein (tracks: 6)
Violin, Viola – Caleb Burhans (tracks: 1, 2, 7 to 11), Pauline Kim (tracks: 1, 2)
Vocals – Anne Harris (tracks: 10), Toy Holmes (tracks: 8)
Written-By – C. Lombardo* (tracks: 4), D. Balis* (tracks: 1, 3, 5 to 8, 10, 11), D. Maghen* (tracks: 6, 11), D. Sharma* (tracks: 11), E. Cho* (tracks: 1, 3, 5 to 11), H. Ball (tracks: 11), J. Lund (tracks: 1, 3), J.J. Loeb* (tracks: 4), J. Natchez* (tracks: 9), L. Bullock* (tracks: 2)

Notes

All songs Sweet Sensation (ASCAP) except track 2 Blue Mountain Music Ltd. (ASCAP) and track 4 Bughouse Music (ASCAP)

Mastered at Salt Mastering

© 2011 Escort Records.

Barcode and Other Identifiers

Barcode: 884501581134

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
TIRK072	Escort	Escort ‎(CDr, Album, Promo)	Tirk	TIRK072	UK	2011
TIRK072LP	Escort	Escort ‎(2x12", Album)	Tirk	TIRK072LP	UK	2011
NSTC013	Escort	Escort (Instrumentals) ‎(12xFile, MP3, 320)	No Static Recordings	NSTC013	UK	2013
none	Escort	Escort ‎(11xFile, AAC, 256)	Not On Label	none	Canada	2011
TIRK072	Escort	Escort ‎(CD, Album)	Tirk	TIRK072	UK	2011

DireRaven

To be similar to classic boogie "Index - Starlight" (1981).

Endieyab

Having followed ESCORT beginning with their debut 12" back in 2006, "Starlight", I was an instant fan. A slew of great 12" releases followed, including the Dr. Buzzard influenced "Love in Indigo".Then in 2011, Escort released their debut LP, which included all their previous singles, and some new tracks.However, all the old songs were much shorter, and with a different vocalist!! WHY?The new tracks also signaled a more commercial approach to disco, which bewildered me a bit, as Escort seemed to have lost their funky, classic, underground-disco edge.Their best work were their early 12" releases, especially because vocalist Zena Kitt had such a unique voice, which perfectly suited the material.

Otrytrerl

I could not agree with you more. I just purchased the CD Album only to realise that the tracks had lost some magic. That brought me to this page to try and understand what changed between the 12" and the CD album. And your comment sums it up @reeno.