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The KLF - The White Room FLAC




The White Room


Electronic style

FLAC album size:

1540 mb

MP3 album size:

1714 mb

WMA album size:

1760 mb

Other music formats:



4.6 ✱


Deep House, Techno, Downtempo, Breakbeat



Date of release:


The KLF - The White Room FLAC

The KLF - The White Room FLAC

Tracklist Hide Credits

A1 What Time Is Love? (LP Mix)
Rap – Isaac BelloSampler [Breaks] – Lenny Dee, Tony ThorpeSynthesizer [303 Acid Factor] – Major MalfunktionSynthesizer [808's & 909's] – Manda BeatmasterVoice [Ooohs] – Cressida , Lindz E. Love
A2 Make It Rain
Keyboards – Nick ColerSampler [Breaks, Samples] – Tony ThorpeSaxophone [Tenor] – Duy KhiemVocals – Maxine Harvey
A3 3 A.M. Eternal (Live At The S.S.L.)
Backing Vocals – Ian Richardson, Micky Wilson, Nick ColerClarinet – Duy KhiemKeyboards – Nick ColerRap – Ricardo*Sampler [Breaks] – Tony ThorpeVocals – Maxine HarveyVoice ["Are You Ready", "Here We Go"] – Ashanti
A4 Church Of The KLF
Backing Vocals – Katie Kisson*, P.P. ArnoldKeyboards – Nick ColerVocals – Maxine Harvey
A5 Last Train To Trancentral (LP Mix)
Backing Vocals – Maxine HarveyKeyboards – Nick ColerRap – Ricardo*Vocals – Black Steel
B1 Build A Fire
Backing Vocals – Maxine HarveyGuitar [Pedal Steel] – "Evil" Graham Lee*Keyboards – Nick Coler
B2 The White Room
Backing Vocals – Black Steel, Maxine HarveyKeyboards – Nick ColerScat – Black Steel
B3 No More Tears
Bass – Black SteelKeyboards – Nick ColerPiano – Black SteelSampler [Breaks, Samples] – Tony ThorpeVocals – Black Steel, Maxine Harvey
B4 Justified And Ancient
Bass – Black SteelKeyboards – Nick ColerSampler [Break] – Tony ThorpeVocals – Black Steel


  • Design – Power Unlimited
  • Mastered By – Aaron Chakraverty*
  • Mixed By – J. Gordon Hastings* (tracks: A2, A4 to B4), Mark "Spike" Stent* (tracks: A1, A3), The KLF
  • Mixed By [Assistant] – Jeremy Wheatley (tracks: A3)
  • Photography By [Cover] – Schoerner*
  • Photography By [Sheep] – Phil Ward
  • Producer, Performer, Programmed By – The KLF
  • Programmed By [Additional] – Nick Coler


Samples used:

"I Wanna See You Sweat" - Wanda D (Tuff City Records)
"Kick Out The Jams" - The MC5 (Elektra Records)
"Mu Mu's" - P.P. Arnold, Katie Kisson (KLF Communications)
"Thank You, Thank You" Crowd Noise - The Doors (Elektra Records)

Crowd Noise - U2 "Rattle & Hum" (Island Records)
Crowd Noise - The Doors "Absolutely Live" (Elektra Records)
"Say Yeah" - Stevie Wonder (Tamala Motown)
"Pump A Little Harder" - The Moody Boys (XL Records)

"KLF Aha Aha" - P.P. Arnold (KLF Communications)
"Ancients Of Mu Mu" - Chike (KLF Communications)
"Ladies And Gentlemen..." - Scott Piering (Appearing)
Crowd Noise - Haircut 100 Live Recording (Unreleased)

Crowd Noise - The Doors "Absolutely Live" (Elektra Records)
Crowd Noise - U2 "Rattle & Hum" (Island Records)

Rolling Stock - The KLF "Chill Out" (KLF Communications)
Crowd Noise - The Doors "Absolutely Live" (Elektra Records)
Crowd Noise - U2 "Rattle & Hum" (Island Records)

Trumpet Line - King Tubby (Trojan Records)

Some copies have sticker on outer sleeve "JAMS LP006 Includes '3 a.m. Eternal' 'What Time is Love?'
Some copies comes with "KLF Communications Mail Order" print.

Barcode and Other Identifiers

  • Barcode: 5 017139 360009
  • Matrix / Runout: JAMS-LP-6-A2
  • Matrix / Runout: JAMS-LP-006-B2

Other versions

Category Artist Title (Format) Label Category Country Year
INT 145.549 The KLF The White Room ‎(LP, Album) Blow Up, KLF Communications INT 145.549 Germany 1991
656 674-4 The KLF The White Room ‎(Cass, Album) ToCo International 656 674-4 Brazil 1991
656 674-2 The KLF The White Room ‎(CD, Album) Indisc 656 674-2 Belgium 1991
MX CD.262, MXCD 262, JAMS CD006 The KLF The White Room ‎(CD, Album, RE) Blanco Y Negro , Blanco Y Negro , Blanco Y Negro MX CD.262, MXCD 262, JAMS CD006 Spain Unknown
COMA LP4 The KLF The White Room ‎(LP, Album) Coma Records COMA LP4 Scandinavia 1991

I have a 69 minute MP3 version of this album but it has no track list as it was from a Russian website and came in one track format.I was not familiar with the original so have nothing to compare it to.Does anyone know which version I have?
This release also had a sticker on the front cover: "includes 3AM eternal and What time is love?" See images
Growing up in Canada I of course got to know the US tracklisting quite well, and didn't even realize until about 10 years later that there were different versions. Although I enjoyed the album tremendously, particularly the first 1/2, I always felt it was lacking something and didn't really 'flow' well. After hearing the UK version with the crowd noise years later it all made sense.Actually i'm surprised they took it out at all for copyright reasons - I can't imagine anyone being able to identify what album they stole it from if it's just generic cheering...BTW for fans of Last Train To Trancentral, check out the fantastic remix / re-edit that Joseph Watt of Razormaid did on this Gridlock issue. He took the best parts of the best 4 versions (Iron Horse / UK LP Mix / Live From The Lost Continent / 808 Bass) and spliced them together magnificently. Sounds like it should have been conceived that way from the start!!
Interesting! I'm guessing you're not a fan of U2 ;) lol. Given all that you've said about them being so quick to sue, I'm surprised they weren't at the forefront of the anti-Napster crusade in 1999-2000
U2 and their label have sued artists for simply writing the letter U and the numeral 2 on their records as a title. They are not musicians in the traditional sense since they only care about money (the music is also irrelevant - but that is another conversation). KLF wanted their record heard so most likely made these changes to avoid the pure EVIL known as U2 (Bono especially). They are the massive hypocrites in the industry. calling for social change around the globe while their own 'ONE' charity operates outside of the legal realm of every other charity on Earth - pocketing 99% and donating 1% to charity. I would avoid crossing the crew U2 at all costs. If they have me killed for posting these truths please avenge my death. Long live KLF.
I've never found this an entertaining listen. Where some find diversity I hear only pastiche. Contrary to what has become popular belief, KLF didn't have much influence at all on the underground dance music scene. If you ever did hear White Room at someone's pad after a good night out, it was probably because no one could be bothered to put any tunes on the decks, and in 15 minutes everyone would be sound asleep. Buy yourself Aqua Regia's "Age Of Aqueous" or Bleep's "North Pole By Submarine" if you want to hear some good dance/acid/techno. The White Room is simply an pop album based around the genres of the time. A classic of music it most definitely isn't. KLF will be remembered alongside comedy groups like The Barron Knights, which is as it should be.
Arguably there are 4 versions of the album, in increasing order of vagueness they are;1. US/Canada release with short single versions of 3AM and Last Train, no crowd noise; has shorter “make it rain” and “no more tears” but the slightly longer “justified and ancient”2. Japan release with no crowd noise, short 3AM, long WTIL? & Last Train but all commercial release versions; has shorter “make it rain” and “no more tears” but the slightly longer “justified and ancient” and a clutch of extra tracks available elsewhere3. Main rest-of-world/Europe release with crowd noise and LP versions of the Stadium House Trilogy; has long “make it rain” and “no more tears” but the slightly shorter “justified and ancient”. I am including the Ltd Picture edition in this as it is the same album but with a clutch of extra tracks available elsewhere4. The French version with interesting timings that would suggest an overall shorter first side/half..From here on things are very vague; the COMA version has even odder timings but is overall the same length as the rest-of-world/Europe release. And then there are the hokey LP home recording timings such as JAMSLP 3681 There are also alt versions of Make it Rain and No More Tears with different timings floating about; 3:51 and 8:58 respectively, which may well be the Euro versions without the crowd noise or other samples in that were used as US promo material.By any measure though it is a great album, and despite other comments the Europe version is much much better!Just sayin’
It's also worth noting that the UK version has the 2nd rap missing from WTIL ("take the chance to advance, you might hallucinate..."). The US/Canada version has it though.
Why the European version is better? The US version has LTTT's great single mix!
The classics of techno. Got to teach, and everything you'll learn will point to the fact that time is eternal.
The KLF continue to be the stuff of legend, from burning a pile of money as an act of art, to supposedly having a living car, to being members of a secret society: The Justified Ancients of Mu Mu; which may or may not be---composed of humans. The KLF gave rock, pop, and the underground music scenes simultaneously a jolt of energy when they arrived at the scene. Building connections between different musics to show the power of house music to rock stadiums, and to show the power of guitars to the drum machine aficionados etc. They trekked into ambient sound escapes, ambient dub, early techno trance, the early rave movement, electro rap, and several other types of experimental styles that many musicians never dare go. The album was praised by some, and derided by others at the time. It is hard to deny the White Room is a very fun listen.The way to Mu Mu, is there if we listen to the music in their records .
US re-release from 2003 have as track 5: Last Train To Trancentral (Live From The Lost Continent).I think that its worth having, because this album is then even better.
A briljant album. When we look at the credits we can see they have used several 'live crowd samples' from The Doors and U2. We can also find a guestappereance from Ashanti. Diversity at his best!!!
the ashanti on this release should not be confused with the ashanti of r&b fame, best known for her duets with ja-rule or her undeserving win of the soul train aretha franklin award.

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