Venetian Snares - Higgins Ultra Low Track Glue Funk Hits 1972 - 2006 FLAC

Venetian Snares IDM Noise Breakcore 2002 UK

Tracklist Hide Credits

A1	Dance Like You're Selling Nails Saxophone – Mark KaminskyVocals – Jo Apps	6:18
A2	Banana Seat Girl	4:01
B1	Fuck Off	1:11
B2	Make Ronnie Rocket	6:12
B3	Vokeheads	5:39
C1	Deadman DJ	5:05
C2	Cobra Commander	4:44
C3	Walmer Side	5:04
D1	Dismantling Five Years	6:19
D2	We Are Oceans	6:28

Companies, etc.

Phonographic Copyright (p) – Planet Mu Records Ltd.
Copyright (c) – Planet Mu Records Ltd.
Pressed By – Damont
Mastered At – The Exchange

Credits

Design [Design & Model] – Ben Curzon
Mastered By – Simon*
Photography By – Uncle Sonny
Written-By, Producer – Aaron Funk

Notes

℗ 2002 Planet Mu Records Ltd.
© 2002 Planet Mu Records Ltd.
Made in England

Barcode and Other Identifiers

Barcode: 600116805614
Matrix / Runout (Side A): ZIQ 056 A¹ DAMONT SIMON-THE EXCHANGE
Matrix / Runout (Side B): ZIQ 056 B¹ DAMONT SIMON THE EXCHANGE
Matrix / Runout (Side C): ZIQ 056 C¹ DAMONT SIMON THE EXCHANGE
Matrix / Runout (Side D): ZIQ 056 D¹ DAMONT THE EXCHANGE SIMON

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ZIQ056CD	Venetian Snares	Higgins Ultra Low Track Glue Funk Hits 1972-2006 ‎(CD, Album)	Planet Mu	ZIQ056CD	UK	2002
ZIQ056	Venetian Snares	Higgins Ultra Low Track Glue Funk Hits 1972-2006 ‎(10xFile, MP3, Album)	Planet Mu	ZIQ056	UK	2002

Fek

This release is an absolute masterpice of electronic music. It has harsh amened out beats in odd time signatures that Snares is renowned for, but with a more IDM feel than previous releases in my opinion. There is even a pair of downtempo tracks which showcase an entirely different side of Aaron Funk. The record is a testament to VSnares' production prowess, his stunning originality, and his ability to incorporate a vast array of styles and genres into one cohesive whole. A classic that will make it into the history books for sure.

Thetalen

Thank you for mentioning VSnares' production values! I think it is one of the most under-appreciated aspects of his work. It is consistently (and I mean when he actually tries) superb. What everyone always mentions is the speed and complexity of his drumbeats and rhythm patterns, but all of the complicated composition in the world would be meaningless if it was just an indistinct glob of sound. But that is never the case with his work. Instead, the density of the tracks is enhanced by the crystal clarity of each of the parts. Each element is distinct, and very rich.